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Angela
A'Court
Yellow
Cup, 2009
soft pastel on paper
15 x 15 inches |
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James
Isherwood
Weekender,
2007
acrylic on paper
26 x 20 inches |
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Kim
Lutrell
Times
Square, 2004
acrylic on paper-woven
36 x 48 inches |
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Fernando
Molero
Las Costumbres de Elena, 2009
oil on canvas
28 x 22 inches |
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Anne
Sherwood Pundyk
La Chaise, 2008
oil and acylic on linen
30 x 24 inches |
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Carolyn
Monastra
Lovely, Dark and Deep #12, 2006
digital chromogenic print
30 x 38 inches |
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Maria
Passarotti
Rooftop, Grand Street, NYC, 2005
chromogenic print
36 x 28 inches |
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Opening
Reception: Wednesday,
July 8, 6-8 PM
Featuring a live poetry reading by award-winning poets
Ada Limón and Jason Schneiderman
"Make two homes for thyself...
One actual home... and another spiritual home, which
thou art to carry with thee always" ~ St. Catherine
of Siena
Images of houses—rural and urban, plush and
decrepit, imagined and real— explore individual
interpretations of home.
This group exhibition of some two dozen works includes
exteriors of houses and symbols of the home in the
form of images incorporating family members, furniture,
household objects, plants and intimate still life
compositions. Artists include painters Angela A'Court,
James Isherwood, Karen Jenkins, Kim Luttrell, Fernando
Molero, Anne Pundyk, Barbara Strasen and Shira Toren;
and photographers Robert Hite, Dick Lopez, Carolyn
Monastra and Maria Passarotti.
The artists surprise us with their eclectic views
and unexpected use of scale, compelling us to rethink
our notion of home as not only a place of comfort
and solace to which we retreat each day, but also
home in the classic fairytale sense, where there may
be an evil stepmother or a witch lurking inside, instilling
uncertainty, loneliness and even a fear of death.
Highlights include Pundyk's "Grand Trianon"
a watery landscape with two elegant Versailles style
chairs, reflecting the opulence of the French palace,
Isherwood's colorful, fragmented structures built
from layers of paint, collaged and textured; and Jenkins'
romantic Hopper-esque interiors, glimpsed through
portals and windows.
Among the photographs are Lopez's Brooklyn townhouse
façade with French doors, hidden behind menacing
security gates, and Monastra's "Twilight,"
featuring a seemingly overgrown figure crouched in
an upper window of a warmly lit, diminutive country
home.
"Heading Home" has a particular relevance
at the moment as the nation faces an economic downturn.
People are finding themselves at home not by choice,
but by circumstance, as unemployment rates rise. Home
is also a place of ruin for some as they face foreclosure
and are forced to move. Yet, home in the home sweet
home sense will always be a beloved person or a space
where we feel most at ease and can be our freest and
most creative selves.
About The Poets
Ada Limón is from Sonoma,
CA., and has an MFA from the Creative Writing Program
at NYU. She has received fellowships from the Provincetown
Fine Arts Work Center and the New York Foundation
for the Arts and won the Chicago Literary Award for
Poetry. Her first book, lucky wreck, was the winner
of the 2005 Autumn House Poetry Prize. Her second
book, this big fake world, was the winner of the 2005
Pearl Poetry Prize. She is the Creative Director of
Travel + Leisure Magazine and teaches a Master Class
in Poetry at Columbia University. Her third book of
poems, Sharks in the Rivers, will be published by
Milkweed Editions in 2010.
http://adalimon.com/Site/Home.html
Jason Schneiderman is the author
of Sublimation Point, a Stahlecker Selection from
Four Way Books. His poems and essays have appeared
in numerous anthologies and journals including Best
American Poetry, Tin House, American Poetry Review,
Poetry London, and The Penguin Book of the Sonnet.
He has received fellowships from The Bread Loaf Writers'
Conference, Yaddo, and the Fine Arts Work Center.
The recipient of the Emily Dickinson Award from the
Poetry Society of America, he is currently completing
his doctorate in English at the Graduate Center, CUNY.
http://www.jasonschneiderman.net
Summer
Hours: Tues.-Thurs., 11-5 and by appointment
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